HELLO GOOD READERS. I'm going underground and am not sure when I'll be back up for air. It's been wonderful to share and correspond with you in this way. I hope to meet again down the line.
IN THE VEIN OF FOUND ART let's look at the Cheerios box. I enjoy looking at commercial photography and trying to discern the subtext. TD Canada Trust is the best. They've got a whole slough of questionable images. Or how about the Rogers adverts that come in the mail filled with images that make television watching into this amazing group participatory love-in. This content affects human beings. Eye contact is everything.
I MISS THE CROW QUILL. I spent 3 years of my youth drawing exclusively with a crow quill following Dave Sim's technique. I drew 5 issues of my black & white indie road movie comic, The Cheeseheads.
This photo was taken of Max MacDonald as a cheesehead circa 1993. PHOTO BY HOLLY CRAINE
HERE'S MY OWN HUNGRY GHOST image. I drew this up and pasted it to the inside of a file drawer. Whenever I'm turning into that vacuum flaky artist person I try to ponder the content of this hasty sketch.
Nick Craine's illustrations have appeared in The Atlantic, The New York Times, The Washington Post and UTNE Reader. He has been selected as one of the worlds top 150 illustrators for Julius Wiedemmann's 'Illustration Now' anthology. He's currently at work on a mythically large graphic novel project entitled, 'Parchment of Light'.
Email me at:
nickcraine(at)gmail(dot)com